tape recording

His film 'Blow-Up' (1966) explores the relationship between recorded images and reality through a photographer obsessively enlarging photographs to uncover hidden truth.

'Day for Night' (1973) deeply engages with cinema as a recording medium, examining how film captures and transforms reality through the lens of filmmaking itself.

His works consistently explore how recorded media—film, video, and sound—reveal and distort hidden layers of reality and the human psyche.