technological corruption

His body horror films explore the visceral corruption of human flesh by technology, most notably in 'Videodrome' and 'eXistenZ' where technology literally invades and mutates the body.

His films 'Ex Machina' and 'Annihilation' deeply examine how advanced technology corrupts human ethics, autonomy, and reality itself through artificial intelligence and scientific ambition.

In 'Destroyer' and 'The Invitation' she depicts how surveillance technology and digital communication corrupt trust, identity, and human connection in contemporary society.