Constantly dismantled cinematic language and narrative conventions, treating film itself as a text to be deconstructed and critiqued.
Pier Paolo Pasolini ItalyUsed cinema to interrogate established cultural texts, ideologies, and social structures through provocative reinterpretations and direct visual argumentation.
Chris Marker FranceBlended documentary, essay, and fiction to critically examine historical narratives, propaganda, and the reliability of recorded knowledge.