unknown threats

His films like *Zodiac* and *Gone Girl* obsessively explore invisible psychological threats and the paranoia of not knowing who to trust.

His horror films *Hereditary* and *Midsommar* masterfully build dread around threats that emerge from seemingly ordinary situations and family secrets.

His films *Prisoners*, *Enemy*, and *Sicario* consistently examine existential and shadowy threats that blur moral boundaries and create unbearable tension.