violence and mortality

His spaghetti westerns, particularly the 'Dollars Trilogy,' transform violence into operatic meditation on death, morality, and the cost of survival in lawless worlds.

His body horror films obsessively explore the intersection of physical violence, bodily decay, and mortality as inevitable human conditions.

His philosophical works examine violence and death as spiritual inquiries into human existence, memory, and the search for meaning in an indifferent universe.