Tracing the thread…
His films like Mirror and Stalker use water as a metaphysical symbol of memory, spirituality, and the passage of time.
Wong Kar-wai Hong KongRain and water dominate his visual language as symbols of melancholy, longing, and the flow of human emotion in films like In the Mood for Love.
Béla Tarr HungaryHis films feature water and rain as expressions of desolation, decay, and existential despair, most notably in Sátántangó.