Fists in the Pocket detonated under the Italian family in 1965 and he has kept the charge lit for sixty years. The Traitor and Exterior Night take on the Mafia and the Moro affair with undiminished anger.
The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists
Both use intimate family dramas as vessels for larger political indictments, the personal as inherently political, never separate.
Masters of constraint cinema, both work within and against state apparatus, turning limitation into artistic defiance.
Both excavate guilt and complicity within families and institutions; moral ambiguity rendered through precise mise-en-scène.
Both deploy unflinching formal control to expose cruelty, whether institutional or intimate, violence emerges through patient observation.