New York City’s bridges are reimagined through montage, superimposition, and vivid color, transforming industrial architecture into rhythmic visual abstraction. Accompanied by a jazz score by Teo Macero, the film renders the urban landscape musical, kinetic, and alive (an alternate version of the film features an electronic score by Louis and Bebe Barron).
We haven't mapped this film's connections yet. Explore Shirley Clarke's other work or films from United States below.
More from Shirley Clarke → Cinema of United States →