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Jean Renoir: le patron
FRANCE · 1967
Jean Renoir: le patron
Cinematic DNA
Absolutely. I watched them over and over when I was young, especially the Renoir and Lang ones [from the Cinéastes de notre temps series]. The way that series was edited, the way they built a portrait around a filmmaker's thoughts and images, the fact that they really let them talk... it was revelatory. I realized how much you could learn from letting a filmmaker explain their process in detail. That's certainly something I carried into my own work, whether it was the Kazan doc or the Scorsese d
The way that series was edited, the way they built a portrait around a filmmaker's thoughts and images, the fact that they really let them talk... it was revelatory. I realized how much you could learn from letting a filmmaker explain their process in detail.
— Unknown (discussing influence of Cinéastes de notre temps series on their documentary work) · Film Comment interview with Dennis Lim
More from Jean Renoir
France · European Art Cinema
Rémi Fournier Lanzoni, French Cinema: from its Beginnings to the Present , New York & London, Continuum
Rémi Fournier Lanzoni, French Cinema: from its Beginnings to the Present , New York & London, Continuum
John Gibbs, Mise-en-scène: Film Style and Interpretation , London and New York, Wallflower Press
John Gibbs, Mise-en-scène: Film Style and Interpretation , London and New York, Wallflower Press
James Leahy, “All in the Script? So Why Make the Movie?”, Vertigo , Vol.2, No.2
James Leahy, “All in the Script? So Why Make the Movie?”, Vertigo , Vol.2, No.2
