"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily ali
My aesthetic is influenced by the masters of cinema, among them Fellini. I didn't have 'La Dolce Vita' in mind when I was shooting, but of course it is a film that belongs to my cinema culture.