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Synopsis

"The third and shortest section reintroduces camera-derived imagery and, minimal as it may be (sunlight shimmering on water, seagull wheeling in the sky), it's still a shock to see "something." Brakhage continues to play with surfaces, layering the image with scratch bursts and soft-focus superimpositions; sentiment arrives with representation." - J. Hoberman, The Village Voice

Year1998
CountryUnited States
Cinematic DNA

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Films with Similar Themes

abstract cinema · visual representation · light and water · film surface manipulation · nature imagery

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