It's a bit like Buñuel, you know, 'Discreet Charm of the Bourgeoisie' where actors are speaking in other languages. It’s a great way to work. It’s liberating. So you focus on performance, and emotion.
It's a bit like Buñuel's 'Discreet Charm of the Bourgeoisie' where actors are speaking in other languages. It's a great way to work - it's liberating because you focus on performance and emotion.
It's a bit like Buñuel's 'Discreet Charm of the Bourgeoisie' where actors are speaking in other languages. It's a great way to work—it's liberating because you focus on performance and emotion.
— Terry Gilliam · ScreenAnarchy: THE MAN WHO KILLED DON QUIXOTE Interview: Terry Gilliam on The 30 Year Journey, Dream Logic, And Buñuel
It's a bit like Buñuel's 'Discreet Charm of the Bourgeoisie' where actors are speaking in other languages. It's a great way to work because you focus on performance and emotion.
Films That Influenced The Man Who Killed Don Quixote
