His films explore fractured memory and disorientation through experimental narrative structures, as seen in Mulholland Drive and Inland Empire, mirroring the subjective experience of cognitive breakdown.

Amour is a devastating portrait of Alzheimer's disease and its impact on relationships, depicting cognitive decline with unflinching realism and emotional precision.

After the Storm and The Third Person examines memory, aging, and the passage of time, while Shoplifters explores how memory shapes identity and family bonds across generations.