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His films obsessively examine the commodification and performance of identity, treating cinema itself as a medium that both creates and destroys authentic human expression.

He weaponized cinema as a provocative art form to challenge cultural and religious institutions, viewing filmmaking as a form of visual poetry and direct political intervention.

A pioneer of experimental cinema who treated film itself as pure visual art, stripping away narrative to explore perception, abstraction, and the raw materiality of the medium.