THEME EXPLORATION

cinematic voyeurism

22 films · 3 directors

Tracing the thread…

FILMS THAT EXPLORE THIS
Kleiner Vogel
Kleiner Vogel
1976 · Stephen Dwoskin
2020
2020
2020 · Apichatpong Weerasethakul
Blue Velvet
Blue Velvet
1986 · David Lynch
Venice 70: Future Reloaded
Venice 70: Future Reloaded
2013 · Apichatpong Weerasethakul & Bernardo Bertolucci & Claire Denis & Jia Zhangke & Lav Diaz & Paul Schrader
Rear Window
Rear Window
1954 · Alfred Hitchcock
Captive
Captive
2008 · Gus Alvarez
Terrorizer
Terrorizer
1986 · Edward Yang
Blow-Up
Blow-Up
1966 · Michelangelo Antonioni
Journey on the Plain
Journey on the Plain
1995 · Béla Tarr
Parallel Tales
Parallel Tales
2026 · Asghar Farhadi
Four Nights with Anna
Four Nights with Anna
2008 · Jerzy Skolimowski
Dans la maison (In the House
Dans la maison (In the House
2012 · François Ozon
L’assoluto naturale (He and She
L’assoluto naturale (He and She
1969 · Mauro Bolognini
Sincere Heart
Sincere Heart
1953 · Masaki Kobayashi
The Nagaharu Yodogawa Story: A Cineaste's Life in Kobe
The Nagaharu Yodogawa Story: A Cineaste's Life in Kobe
1999 · Nobuhiko Obayashi
Vent d’est
Vent d’est
1970 · Glauber Rocha
Sleep Tight
Sleep Tight
2011 · Jaume Balagueró
Anguish
Anguish
1987 · Bigas Luna
Destricted: We Fuck Alone
Destricted: We Fuck Alone
2006 · Gaspar Noé
House with a Good View 3
House with a Good View 3
2016 · Gyeong Seok-Ho
Naked Poison
Naked Poison
2000 · Cash Chin Man-Kei
Scorpio Nights 3
Scorpio Nights 3
2022 · Lawrence Fajardo
DIRECTORS WHO EXPLORE THIS
Powell and Pressburger United Kingdom

His masterpiece 'Peeping Tom' (1960) directly confronts the viewer's complicity in voyeurism by making the camera itself a weapon and implicating the audience in the protagonist's obsessive gaze.

 Brian De Palma United States

De Palma repeatedly explores voyeurism and the male gaze through elaborate set pieces in films like 'Rear Window' homages and 'Body Double,' making the viewer aware of their own role as observers.

 Michael Haneke Austria

His work, particularly 'Funny Games,' interrogates cinematic voyeurism by breaking the fourth wall and forcing audiences to confront their desire to watch violence and suffering on screen.