dental history

His body horror films obsessively explore the grotesque transformation of human flesh and biological decay, with dental imagery appearing in works like 'Videodrome' and 'The Fly.'

His surrealist cinema frequently features unsettling dental and mouth imagery as symbols of psychological trauma and hidden menace, particularly in 'Mulholland Drive' and 'Eraserhead.'

His maximalist provocations include visceral scenes of bodily violence and medical horror that challenge viewers' tolerance, using dental damage and oral trauma as extreme imagery.