facial transplant

His body horror films like 'Crimes of the Future' obsessively explore the transformation and mutation of the human body as a site of identity and transgression.

His experimental narrative style in films like 'Last Year at Marienbad' deconstructs identity and perception, questioning what defines the self beneath appearance.

His surreal, body-focused cinema in works like 'Poor Things' literalizes identity reconstruction and examines what makes us human beyond our physical form.