feeding cycle

His films obsessively document humanity's primal struggle against nature and survival, from the starvation in 'Aguirre' to the predatory dynamics in 'Grizzly Man.'

He explores bodily consumption and violation through body horror, making the physical act of feeding grotesque and central to his vision of human transformation.

His films use food and consumption as metaphors for class hierarchy and survival, most explicitly in 'Parasite' and 'Okja,' where feeding cycles reveal social predation.