Masterfully manipulates what audiences see and don't see, making the background menacing and the foreground deceptive through strategic framing and editing.
Yasujirō Ozu JapanUses static, low-angle compositions where domestic spaces become as central as characters, dissolving the hierarchy between figure and environment.
Andrei Tarkovsky Soviet UnionEmploys long takes where landscapes and architectural spaces gradually dominate human figures, making nature and built environments powerful characters themselves.