Tracing the thread…
His films, particularly 'The Decameron' and 'Canterbury Tales', use flowers and botanical imagery as metaphors for desire, corruption, and the sacred within profane human experience.
Wong Kar-wai Hong KongHis visually poetic cinema, especially 'In the Mood for Love' and '2046', employs flowers, plants, and floral patterns as symbols of ephemeral beauty, longing, and the passage of time.
Andrei Tarkovsky Soviet UnionHis meditative films like 'Stalker' and 'The Mirror' integrate natural flora and botanical spaces as spiritual symbols representing memory, transcendence, and humanity's connection to the divine.