His films use interconnected scenes and cyclical narratives that mirror the collaborative, cumulative nature of linked verse (renga), building meaning through subtle accumulation rather than dramatic climax.
Hirokazu Kore-eda JapanHis work employs episodic structures where each scene or relationship builds upon the previous like stanzas in linked verse, creating thematic continuity through seemingly disparate family moments.
Apichatpong Weerasethakul ThailandHis films deliberately fragment narrative into linked impressions and memories that accumulate like collaborative renga, requiring viewers to connect disparate poetic moments into unified meaning.