misogyny and violence

His films like *Gone Girl* and *The Girl with the Dragon Tattoo* systematically deconstruct misogyny and violence against women through complex narratives that implicate both perpetrators and society.

Through provocative works like *Irréversible* and *Climax*, he confronts viewers with graphic depictions of violence against women, forcing uncomfortable examination of its causes and cultural normalization.

Her films including *Trouble Every Day* and *High Life* explore violence, desire, and gendered power dynamics with artistic subtlety, examining how misogyny operates within human relationships and institutions.