modernist aesthetics

His films deconstruct narrative temporality and visual representation through long takes and philosophical abstraction, embodying core modernist concerns with form over content.

He systematically challenged cinematic conventions through fragmentation, self-reflexivity, and experimental editing, treating the film medium itself as a modernist text to be interrogated.

His work explores alienation and the inadequacy of representation through minimalist compositions and ambiguous narratives, epitomizing modernist skepticism toward traditional storytelling.