modernist aesthetics

His films deconstruct narrative and emotion through fragmented editing, sparse mise-en-scène, and emphasis on alienation and abstraction in urban spaces.

He radically dismantles cinematic form itself through self-reflexive techniques, non-linear storytelling, and visual/textual experimentation that prioritizes style over conventional narrative.

His work embodies modernist austerity through extended duration, meditative pacing, and the reduction of plot to explore consciousness, memory, and the sublime through formal precision.