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His surreal, fragmented narratives and exploration of fractured psyches in films like 'Mulholland Drive' and 'Eraserhead' delve into the madness and irrationality lurking beneath everyday life.

His films like 'Black Swan' and 'The Fountain' obsessively examine mental deterioration, obsession, and psychological unraveling through visceral, immersive filmmaking.

His psychological thrillers such as 'Repulsion' and 'Rosemary's Baby' masterfully portray paranoia, isolation, and the dissolution of sanity in claustrophobic narratives.