His films like 'Mirror' and 'Stalker' weave personal memory, historical trauma, and existential questions into meditative explorations of how the past haunts and shapes the present.
Hou Hsiao-hsien TaiwanThrough films like 'The Assassin' and 'A City of Sadness', he examines how colonial history, generational conflict, and cultural displacement create tensions between traditional and modern life.