His masterpiece 'Peeping Tom' explicitly confronts the voyeuristic nature of cinema itself through a protagonist who films his murders.
Alfred Hitchcock United Kingdom'Rear Window' makes the viewer complicit in voyeurism, using photography and observation as central to both plot and cinematic language.
Michelangelo Antonioni Italy'Blow-Up' explores how photography can distort reality and the obsessive act of looking, questioning what images truly reveal.