His films like 'Funny Games' and 'The Seventh Continent' systematically expose and interrogate the viewer's complicity in voyeurism and intrusive curiosity.

His thrillers ('Rear Window' homages, 'Body Double', 'Blow Out') obsessively explore how observation, surveillance, and curiosity violate privacy and create moral compromise.

Films like 'The Killing of a Sacred Deer' and 'Poor Things' create hermetic worlds where characters' private boundaries are constantly breached, forcing uncomfortable intimate knowledge.