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His films like 'Viridiana' and 'Belle de Jour' explore sexuality, morality, and societal hypocrisy through surrealist lenses that challenge conventional narratives about women and desire.

'Les Parapluies de Cherbourg' and 'Bay of Angels' poetically examine female agency, economic necessity, and romantic longing within complex social circumstances.

'Elle' and 'Showgirls' directly confront power dynamics, trauma, and female sexuality through provocative, unflinching character studies that reject moral judgment.