subjective truth

His masterpiece 'Rashomon' deconstructs objective reality through four contradictory perspectives of the same event, fundamentally questioning whether truth can ever be definitively established.

Lynch's dreamlike narratives blur the boundaries between reality and subjective perception, exploring how individual consciousness creates its own version of truth in films like 'Mulholland Drive' and 'Eraserhead'.

Varda's documentary and narrative work consistently examines how memory, perspective, and personal experience shape subjective realities, particularly in 'The Gleaners and I' and her autobiographical films.