synchronized sound

His films obsessively choreograph sound and image through meticulous practical effects and ambient soundscapes that blur the line between music, dialogue, and environmental noise.

He treats sound as a co-equal visual element, using unsettling synchronized hums, drones, and industrial noises that create psychological dissonance with on-screen action.

His melodramas feature intentionally artificial sound design where music and dialogue synchronization creates emotional artificiality that mirrors his theatrical approach to cinema.