womanizing

His films like 'La Dolce Vita' and '8½' explore male desire, seduction, and the objectification of women with both fascination and critique of aristocratic womanizing culture.

His romantic comedies and dramas, particularly 'Jules and Jim' and 'The Man Who Loved Women,' examine masculine infidelity and the pursuit of multiple romantic conquests with nuanced sympathy.

His neurotic protagonists frequently navigate serial relationships and romantic entanglements in films like 'Manhattan' and 'Deconstructing Harry,' analyzing male desire through a comedic and philosophical lens.