The cinema of waiting, watching, and the spaces between words. Petzold builds suspense from ambiguity, his characters haunted by pasts they cannot articulate, his frames taut with what remains unsaid. German precision married to Hitchcockian dread, but the threat is always internal.
I wanted to make a summer movie like an Éric Rohmer film, where people are walking, talking, eating, and drinking. Chekhov was one of the first inspirations for Afire.
Christian Petzold