Lav Diaz
His films run four, eight, eleven hours in patient black and white. Diaz uses duration itself to carry the Philippines' wounds, martial law, disappearance, faith, until watching becomes a form of witness.
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Venice 70: Future Reloaded
Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.
Defining films
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Both use duration as meditation, dissolving narrative into pure temporal experience. Memory and landscape drift together in their frames.
Twin architects of minimalist cinema, long takes, sparse dialogue, geography as character. Both reject Western narrative urgency.
Both are chroniclers of exile, displacement, and the weight of history. Their films breathe in the spaces between words.
Both distributed through the international festival circuit as gestures of resistance, cinema made under constraint, all the more powerful for it.
In their own words
Tarkovsky's 'Stalker' taught me to trust in the power of the image and the duration, and these are principles I apply to my films, like 'Norte'.
Films by decade
