Months of improvisation with actors produce people no script would risk: Naked's Johnny, Vera Drake, the family of Secrets & Lies. Leigh's Britain is class-bound, absurd and heartbreaking in the same scene.
After her adoptive mother dies, Hortense, a successful black optometrist, seeks out her birth mother. She's shocked when her research leads her to Cynthia, a working class white woman.
Twin architects of British social realism, both refuse to sentimentalize poverty, both see dignity in ordinary struggle.
Both find poetry in the mundane and marginal; both trust actors to inhabit character through gesture and breath rather than exposition.
Both anatomize family dysfunction with tenderness, the weight of unspoken resentment, love expressed through small acts of care.
Masters of ensemble drama where moral ambiguity lives in dialogue, cinema built on what people cannot quite say to each other.