Neo Sora
He filmed his father's farewell in Ryuichi Sakamoto: Opus, one man and a piano in black and white. Happyend, his fiction debut, watches Tokyo teenagers under a near-future security state with the same composure.
Start here
Happyend
In a near-future Japanese city bracing for a devastating earthquake, a group of teenage friends navigate personal struggles and fractured bonds amid rising tension.
Defining films
Keep following
Both explore vulnerability and physical intimacy as acts of defiance against emotional distance. Tender realism about bodies seeking recognition.
Fellow New York documentarians of the precarious, capturing the texture of daily survival in cities that don't care. Realism as radical specificity.
Both construct intimate chambers within urban sprawl, conversations and silences that reveal the architecture of human need. Cinema as witness to quiet desperation.
Shared obsession with the body as text, with proximity and distance as emotional coordinates. The sensory becomes metaphysical.