An animator of rare economy: The Girl Without Hands is painted in fluid, unbroken brushstrokes, Chicken for Linda! in flat blocks of pure color. Laudenbach's hand-drawn films carry fairy-tale cruelty and childlike joy in a single line.
Single mother Paulette decides to make up for her mistake by cooking a chicken with peppers for her daughter, only she can't cook and shopkeepers are on strike.
Both French filmmakers excavating male desire with unflinching candor and formal rigor, sexuality as a philosophical problem rather than narrative convenience.
Shared mastery of understated intimacy, long takes of bodies in rooms, dialogue that circles around what cannot be spoken, love as quiet devastation.
French predecessors of unflinching emotional brutality, both reject sentimentality in favor of the raw friction between bodies and time.
Elegiac explorations of male solitude and homoerotic longing rendered through static frames and temporal patience, cinema as meditation on desire's impossibility.