Tracing the thread…
His films like 'Stalker' and 'Mirror' explore liminal spaces and spiritual desolation through water imagery and mysterious journeys into forbidden zones.
Béla Tarr HungaryHis bleak, monochromatic films such as 'Sátántangó' and 'Turin Horse' use desolate landscapes and atmospheric decay to create cursed, inescapable worlds.
Werner Herzog GermanyHis obsession with rivers, jungles, and man's struggle against nature in films like 'Fitzcarraldo' and 'Aguirre, the Wrath of God' directly engages with cursed natural forces.