His films like 'The Assassin' and 'Millennium Mambo' critically examine urban development, displacement, and the erosion of communities through modernization and real estate speculation.
Jia Zhangke ChinaHis work, particularly 'Still Life' and 'A Touch of Sin,' directly confronts the social devastation caused by rapid development, land seizures, and corruption in contemporary China.
Apichatpong Weerasethakul ThailandHis films explore how development and modernization displace communities and fragment memory, as seen in 'Uncle Boonmee Who Can Recall His Past Lives' and works addressing Thailand's changing landscape.