Cinema of glances and silences where female desire lives in the spaces between words.
Andrei Tarkovsky Soviet Union/RussiaHis films like Stalker and Mirror construct meditative, poetic explorations of memory, time, and the human relationship with the past through long takes and philosophical depth.
Wong Kar-wai Hong KongHis visually sumptuous films such as In the Mood for Love and 2046 obsessively revisit nostalgia, lost love, and memories of bygone eras through dreamlike cinematography and fragmented narratives.