Tracing the thread…
His 'Before' trilogy and 'Boyhood' obsessively explore how time accumulates through dialogue and aging, making temporal passage viscerally felt.
Andrei Tarkovsky Soviet UnionHis films use extended takes and philosophical meditation to make viewers experience time's weight and acceleration subjectively, especially in 'Mirror' and 'Stalker'.
Christopher Nolan USAHe repeatedly manipulates narrative time structure to create psychological acceleration, most explicitly in 'Memento', 'Dunkirk', and 'Tenet'.