waterways

His films consistently use rivers, streams, and water as metaphysical spaces where memory, spirituality, and time converge in haunting meditative works.

Water appears throughout his films as a symbol of transience, desire, and lost love, particularly in neon-lit urban reflections and rain-soaked cinematography.

His visually baroque cinema frequently features waterways as conduits for folklore, mythology, and historical narratives rendered in stunning tableaux.