Diner and the Baltimore films remember the booths and rowhouses of his youth; Rain Man won him the Oscar. Levinson is at his best just listening to men talk around what they actually mean.
Two gangsters seek revenge on the state jail worker who during their stay at a youth prison sexually abused them. A sensational court hearing takes place to charge him for the crimes.
Both New Hollywood inheritors obsessed with urban American men and their moral compromises, character studies wrapped in genre.
Both excavate human contradiction through ordinary domestic crisis, how people justify themselves when trapped by circumstance.
Shared fascination with the texture of middle-class life, conversation as revelation, the spaces between what is said and what is felt.
Both filmmakers examine social position through intimate observation, how class and geography shape consciousness and choice.