Discover great cinema and the connections that made it possible.
Director
Martin Scorsese
Defining Films
Profile
The great poet of American guilt. His men are always falling — from grace, from power, from themselves. His camera moves like jazz, his editing cuts like a knife through everything sacred.
In Their Own Words
The whole idea of a film being alive, on the streets, no sets, capturing the moment – that was the dream for Mean Streets. Italian Neo-Realism and the French New Wave, especially Godard's Breathless, were really important influences.
On Mean Streets · Empire Magazine interview
Filmography (49)
GoodFellas
Casino
Silence
Hugo
The Departed
The Aviator
Kundun
The Age of Innocence
Cape Fear
The Last Temptation of Christ
The Color of Money
After Hours
Raging Bull
New York, New York
Taxi Driver
Roosevelt
Roosevelt
Killers of the Flower Moon
Untitled Martin Scorsese/Sharon Stone Project
Untitled Martin Scorsese/Sharon Stone Project
The Irishman
The Audition
The 50 Year Argument
Wolf of Wall Street
George Harrison: Living in the Material World
Shutter Island
A Letter to Elia
Public Speaking
Shine a Light
The Key to Reserva
The Key to Reserva
Gangs of New York
My Voyage to Italy
Bringing Out the Dead
doc) (with Michael Henry Wilson
doc) (with Michael Henry Wilson
Made in Milan
New York Stories: Life Lessons
Somewhere Down the Crazy River
Somewhere Down the Crazy River
Bad
Mirror, Mirror
The King of Comedy
The Last Waltz
American Boy: A Profile of Steven Prince
Italianamerican
Alice Doesn’t Live Here Anymore
Mean Streets
Boxcar Bertha
Street Scenes
Who’s That Knocking at My Door?
The Big Shave
It’s Not Just You, Murray
What’s a Nice Girl Like You Doing in a Place Like This?