George Washington and All the Real Girls made him the poet of the American small town before the detours into stoner comedy and Halloween. At his best he films working lives in late golden light, without condescension.
Fifteen years after murdering his sister on Halloween Night 1963, Michael Myers escapes from a mental hospital and returns to the small town of Haddonfield, Illinois to kill again.
Both excavate loneliness and connection in contemporary landscapes, intimate character studies that refuse easy sentiment.
Contemporary American independent voices who document working-class America with documentary precision and emotional depth.
Both understand cinema as a medium for feeling rather than plot, landscapes and silences that contain entire emotional universes.
Patient observers of human behavior and regional character, films built from specificity that become universal.